baroque (503) Es uno de los últimos palacios barrocos construidos en España. En Tlaxcala los indígenas no se quisieron quedar atrás y también labraron sus bóvedas policromadas en el Camarín de la Virgen, en Ocotlán, el bautisterio del templo de San Bernardino Contla, y la sacristía del templo de San Antonio Acuamanala, entre otros espacios. 9400 of 10/15/1941 (San Francisco de Asis de Ayaviri, San Geronimo de Asillo), Supreme Resolution No. Como en las fachadas, encontramos contrastes estilísticos; sin embargo, hay varios templos que pueden presumir de unidad arquitectónica gracias a que no fueron construidos en distintas etapas. Como por ejemplo la aplicación extendida de los colores brillantes, destacando especialmente un estilo barroco mexicano, peruano y cubano. On b`oksbn ke, tnmgbâe hje uen pjsbhbøe vketnljsn ke on sjhbkcnc abspîebhn, tjcj oj huno sk rkfoklø ke ko, jrcke kspbrbtuno, betkokhtuno y mntkrbno (tkmpojs, hjevketjs, hjok`bjs, uebvkrsbcncks, fuecjs, ko hketrj pjoítbhj y huoturno mîs bmpjrtnetk ck Nmârbhn cko Xur tkebkecj su mnyjr npj`kj ke, ko sb`oj QVBB. Otros lo adelantan unas décadas, hasta finales del siglo XVI. a Polifemo, horror de aquella sierra, bárbara choza es, albergue umbrío. La combinación de un estilo oficial y académico impulsado por los criollos, y uno popular y espontáneo ejecutado por indígenas o mestizos, será la característica que imprima insólitos matices, a veces contradictorios pero de curiosa armonía, a los templos barrocos tlaxcaltecas. 28296, Law No. and of diverse arts, and due to the impulse of the church in the promotion and costing of the works in order to continue with the evangelization of the indigenous population, numerous temples were built in the Collao region that constitute outstanding examples of architecture and Andean Baroque art that preside notoriously the small doctrines located in a rural environment close to 4,000 (m.a.s.l), where the scarcity of wood and other materials, was a technical and logistical challenge, denoting the capacity of use and mobility of various components as forms for the execution of vaults in various works of the Peruvian and possibly Bolivian altiplano (Gutiérrez, 1978: 110). Este esplendor propició una considerable actividad constructiva que hasta la fecha puede apreciarse no sólo en sus capitales, sino en ciudades poblanas como Cholula y Atlixco. 505-74-EDR dated 10/15/1974 (Capilla Virgen Purificada de Canincunca), National Director’s Resolution No. Cabe señalar que existen otros templos barrocos en el estado y que el estilo barroco se extiende a edificios que ahora son civiles o a capillas que formaron parte de las haciendas pulqueras, ganaderas o de beneficio que se desarrollaron en Tlaxcala. Finally, the South American serial properties registered in the World Heritage List are mainly related to the Jesuit missions (Jesuit Missions of the Guaranies - Argentina and Brazil, Jesuit Missions of the Holy Trinity of Paraná and Jesus of Tavarangue - Paraguay, and Jesuit Missions of Los Chiquitos - Bolivia), to estancias (Jesuit Block and Estancias of Córdoba - Argentina) and to wooden temples (Chiloe Churches - Chile), all of them present particular formal, aesthetic, functional and symbolic characteristics that differentiate them from each other and with the baroque parish temples of Collao, while the serial temples registered in the Indicative Lists of the State Parties denote a concern to represent the rural architecture of the doctrines in the Andes (Churches of the high plateau - Chile and Temples of the Catholic Doctrine - Colombia) , those that differ from the one proposed by its simple typology, smaller scale, different constituent materials, architectural styles and less design complexity, each case being a particular response to the establishment of doctrines in each region. 056-2013-VMPCIC-MC dated 09/05/2013 (San Martín Obispo de Tours de Huarocondo) and legally protected by the Peruvian State through the Act No. Hay muchos otros detalles que vale la pena mencionar en los templos barrocos tlaxcaltecas. Lima, ciudad de reyes y virreyes, fue desde siempre una suerte de oasis de cultura y boato en las Indias americanas. With the passage of time, towards the second half of the 17th century, the presence of indigenous labor along with the European one was consolidated; arising local expressions in architecture and fine arts, which resulted in the formation of regional schools, being Cusco in parallel with Lima, two of the most important centers producing architectural models in the viceroyalty and South America, decisively influencing the rural area and other regions of the viceroyalty. Artista y artífices barrocos en Guadalajara. 2900 dated 12/28/1972 (San Juan Bautista de Huaro, San Salvador de Oropesa), Supreme Resolution No. Los Templos Barrocos del Collao fueron inscritos en la Lista Indicativa del Patrimonio Mundial de la Convención de UNESCO de 1972 como bien cultural bajo los criterios C (ii) y (iv) en el año 2019. The rural temples of Cusco are remarkable and very representative examples of the first doctrine temples built in the Cusco region, which illustrate both in their architecture and interior equipment, the material expressions of the evangelization process used by Spanish religious through visual resources destined to impress and instruct the natives, transmitting religious teaching, ideas, values, social principles, behavioral norms, etc. Committee sessions Statutory Documents Committee decisions More sessions... 45th session (postponed) 44th session (2021) 17th Extraordinary session (2022) 43rd session (2019) 42nd session (2018), General Assembly 23rd GA UNESCO Paris (2021) 22nd GA UNESCO Paris (2019), About World Heritage The Convention Convention Text Policy Compendium Declaration of principles Operational Guidelines The Emblem The States Parties The Advisory Bodies The Centre Employment & Internships Who's Who, The List World Heritage List World Heritage in Danger New Inscriptions Criteria for Selection Tentative Lists World Heritage List Nominations, Reporting & Monitoring State of Conservation (SOC) Periodic Reporting Questionnaires 2018-2024 Questionnaires 2008-2015 Reactive Monitoring Africa Arab States Asia & Pacific Latin America and the Caribbean Europe and North America, Partnerships Become a Partner What Partners Do Our Partners, Activities All our activities Volunteer Group Tools. Nombre del Bien: Templos Barrocos del Collao Estado, Provincia o Región: Perú, Región Puno, provincias de Melgar, Azángaro, Lampa, Puno y Chucuito, distritos de Ayaviri, Asillo, Lampa, Puno, Juli, Pomata y Zepita. From the Spanish colonization until the late eighteenth century, the Viceroyalty of Peru was the most important political and cultural center of South America having its peak in the seventeenth century. De este, pues, formidable de la tierra. SAN CARLOS BORROMEO TEMPLE - MINOR BASILICA CATHEDRAL. Sabido es de todos que nuestra provincia de Guadalajara encierra por todos sus pueblos un contingente impresionante de obras de arte, que a pesar de las guerras, los destrozos y la rapiña, ha llegado hasta nuestros días en cantidad suficiente como para levantar la . Nombre del Bien: Templos Barrocos del Collao Estado, Provincia o Región: Perú, Región Puno, provincias de Melgar, Azángaro, Lampa, Puno y Chucuito, distritos de Ayaviri, Asillo, Lampa, Puno, Juli, Pomata y Zepita. The set of rural temples of Cusco preserves its typological, constructive, formal and original site characteristics that express the architectural, artistic, historical and urbanistic values, as well as the religious uses and functions in all cases, being present together all the exceptional attributes that allow its recognition and interpretation, as well as having sufficient size to adequately guarantee the representation of the Outstanding Universal Value. The South American region was of great importance in the evangelizing process carried out by European religious since the sixteenth century, which is evident by the large number, diversity and wide distribution of temples in all the territories under the control of the Spanish Crown, which bear witness the work done and the long tradition in the thought, culture and identity of the population up to the present. A similar situation is present in the serial temples inscribed in the Indicative Lists of the State Parties that represent the rural architecture of the doctrines in the Andes as the Churches of the Altiplano (Chile) and the Temples of the Catholic Doctrine (Colombia). The beautiful main façade, located on the wall of feet flanked by the towers of the bell towers, is characterized by its profuse composition and baroque ornamentation. One of the centers of importance was from Cusco which developed a type of dress image of strong popular acceptance. All the temples are now part of the Cultural Patrimony of the Nation, declared as Monuments by Law No. 27867 Organic Law of Regional Governments. 27972 Organic Law of Municipalities and Law No. Property names are listed in the language in which they have been submitted by the State Party. 13437 dated 09/02/1960 (San Pedro Apostol de Andahuaylillas), Supreme Resolution No. La fachada de Santa Inés Zacatelco, vista de lejos, da una sensación de austeridad, pero contemplándola de cerca muestra una rica ornamentación en sus relieves de cantera. El templo parroquial y ex convento de San Francisco presentan el sobrio y robusto estilo conventual virreinal, así como magníficos altares y retablos barrocos, que adornan el interior del templo . Entre ellos los dos confesionarios de San Luis Teolocholco, auténticas piezas maestras de la ebanistería, así como su pila bautismal labrada en cantera y con la curiosa figura de un indito como base. Aseguran algunos expertos que el estilo artístico barroco dio sus primeros pasos a comienzos del siglo XVII. In particular, the existence of two or more temples frequently found in the Aymara populated centers, which respond to the organization of the population based on ayllus (extended family community) forming neighborhoods, being Juli the most notable case in having four large temples corresponding to the four ayllus existing in the reduction, whose Renaissance buildings in origin were transformed in the eighteenth century in the Baroque style by the Jesuits, who had been in charge of this doctrine since 1576 establishing the first permanent mission of this religious order in the continent, which also served as a training center for the missions of Paraguay, maintaining a unique status and constituting a relevant center of culture in Collao during the viceroyalty. ke on rk`bøe, ko cksnrrjooj ck on `nenckrín y ko hjmkrhbj hje Tjtjsí. The façades, generally of Renaissance style in brick, are clearly incorporated into the integral volume to which they are subordinated, making the sensation of mass predominate (Gutiérrez, 1978: 100). Los retablos, por su parte, representan la expresión cumbre del barroquismo arquitectónico y escultórico, con su profusión de volutas, orlas, racimos y rostros que parecen surgir como botones de flores que se abren en medio de la floresta. Un recorrido por doce de estas iglesias (Santuario de Ocotlán, San Bernardino Contla, San Dionisio Yauhquemehcan, Santa María Magdalena Tlatelulco. Templos barrocos del Collao, Ministerio De Cultura, 0% found this document useful, Mark this document as useful, 0% found this document not useful, Mark this document as not useful, Save Templos barrocos del Collao For Later, Tkrü, Wk`bøe Tuej, prjvbehbns ck Mko`nr, Nzîe`nrj, Onmpn, Tuej y, Hauhubtj, cbstrbtjs ck Nynvbrb, Nsbooj, Onmpn, Tuej, Luob, Tjmntn y, kspnþjo quk, hje nr`umketj ck quk on uebcnc pjoítbhn cko Bmpkrbj ckgín gnsnrsk ke on uebcnc, rkob`bjsn, cktkrmbeø quk on hjequbstn ck ojs eukvjs tkrrbtjrbjs sk abhbkrn ej sjoj pjr on kspncn, kstrkhanmketk vbehuoncjs ke on fjrmnhbøe y cksnrrjooj ck ons eukvns hjojebns. The World Heritage Centre is at the forefront of the international community’s efforts to protect and preserve. Templos barrocos del Collao, Ministerio De Cultura. Esta iglesia, junto con la Catedral, es considerada una de las más bellas edificaciones religiosas de la ciudad. 27972, Organic Law of Municipalities and the Act No. Debido a esto, se considera que esta iglesia fue tomada como ejemplo para la realización . All the temples are in a good status of preservation and the physical integrity of both the structures and the movable property has been maintained. Se encuentra localizado geográficamente entre Arequipa, el lago Titicaca y Potosí, en lo que hoy son el Perú y Bolivia, desde donde se enseñorea . Donate. The plant is of Latin cross with vaults of cannon, emphasizing its cover side altarpiece under shelter arch, that shows profuse ornamentation with reasons of the flora and Andean fauna, as well as its undulating profile by the configuration of the vaults, arriving until our days like a work of singular quality and interest. Abrir o menu de navegação. These temples present numerous regional peculiarities of design, material and function that differentiate between them and from other regions of the world. 011-2006-ED) and by the Political Constitution of Peru, in addition to other complementary norms. Already in the 17th century, the Cusco school was consolidated, the notable indigenous painters Diego Quispe Tito and Basilio Santa Cruz Puma Callao were active and in the 18th century Marcos Zapata stood out, among others, who disseminated the painting of the Cusco school thanks to its extensive production of canvases of various formats, spreading their works in the southern area of the viceroyalty, to the current territories of Bolivia, Chile and Argentina. The church in America was not only supported by the protection of the crown but also had an advantageous position in Hispanic society, all of which was reflected in the spiritual, intellectual and material (temples, convents, schools, universities, agricultural farms, residences, etc.). The conjunction of influences and local contributions received and reinterpreted locally, generated unique examples of religious buildings of great architectural value, which acquire high symbolic value as sacred places within the particular religious worldview of the inhabitants of Collao of cult extraversion, and present notable features as part of the evolutionary process of the architecture of the temples, evident in their volume and mass that allows them to stand out notoriously from the profile of the populations in which they are located constituting a visual and belonging landmark; in the hierarchy of its location within the urban traces, constituting at the same time centers of urban organization; in its plants of Latin cross with the traditional elongated and narrow naves that constitute a persistence of the proportions of the Renaissance temples of the region; in the development of very elaborate altarpiece façades that ratify the baroque idea of façades in relation to the urban space and the building; in the application of the ornamental carving in stone of planiform character, of deep incisions and edges carved to bezel that accentuate the feeling of the chiaroscuros and that incorporates motifs of the local flora and fauna together with prehispanic motifs, classical and Christian mythology, composing an iconography with great symbolic content; in the large atriums mostly fenced for liturgical use, ritual festivities and as a cemetery. Situados la mayoría junto a las carreteras que comunican a las capitales tlaxcalteca y poblana, son de fácil acceso para los visitantes, y sin embargo permanecen ignorados. SANTIAGO APOSTOL TEMPLE. Por consecuencia, sus fachadas miran hacia el poniente. Situados la mayoría junto a las carreteras que comunican a las capitales tlaxcalteca y poblana, son de fácil acceso para los visitantes, y sin embargo permanecen ignorados. Christian religious architecture constitutes one of the most represented categories on the World Heritage List, due to the high profusion, variety and quality of individual buildings, as well as sets of temples, convents, missions and estates, which are exemplified in various parts of the world the historical importance, great variety of typologies and architectonic and artistic styles developed along several centuries in different geopolitical and cultural conditions. Curnetk ojs prbmkrjs nþjs cko vbrrkbentj, ckgbcj n on notn, prkskehbn ck pjgonhbøe becí`ken cbspkrsn, sk, entbvn y fnhbobtnr ko hjgrj ck trbgutjs, rknobznr hkesjs ketrk jtrjs nspkhtjs, ke ons quk sk, kcbfbhnrje tkmprnenmketk `rnecks tkmpojs ck uen envk hje pjrtncns y jrenmketnhbøe, rkenhketbstn y nrtksjencjs mucâlnr vb`ketks pnrn on zjen ke, y prbmkr tkrhbj cko sb`oj QVBB, vnrbjs ck, muhajs jtrjs fukrje pnuontbenmketk rkkmpo. The protection and supervision of the temples is under the responsibility of the Ministry of Culture through its Decentralized Directorate of Culture of Puno, sharing responsibilities with local governments (municipalities) and the Regional Government of Puno, according to Law No. Junto con el Santuario de Ocotlán, comparten esta técnica los templos de San Nicolás Panotla y Santa María Atlihuetzia. Inside, as in Ayaviri and Asillo, it preserves a series of huge canvases with marquetries, as well as altarpieces, pulpit and various ornaments. Curnetk ojs prbmkrjs nþjs cko vbrrkbentj, ckgbcj n on notn, prkskehbn ck pjgonhbøe becí`ken cbspkrsn, sk, entbvn y fnhbobtnr ko hjgrj ck trbgutjs, rknobznr hkesjs ketrk jtrjs nspkhtjs, ke ons quk sk, kcbfbhnrje tkmprnenmketk `rnecks tkmpojs ck uen envk hje pjrtncns y jrenmketnhbøe, rkenhketbstn y nrtksjencjs mucâlnr vb`ketks pnrn on zjen ke, y prbmkr tkrhbj cko sb`oj QVBB, vnrbjs ck, muhajs jtrjs fukrje pnuontbenmketk rkkmpo. Ubicado a 2.430 metros de altura en un paraje de gran belleza, en medio de un bosque tropical de montaña, el santuario de . from the eighteenth century and some works by Bernardo Bitti from the sixteenth century. 011-2006-ED) and by the Political Constitution of Peru, in addition to other complementary norms. The works had to suffer delays by the Rebellion of Túpac Amaru, restarting it in 1788 to be completely finished in 1794 due to the contribution of owners of mining deposits. Desde su fundación, sólo fueron necesarias algunas décadas para situarla a la par que México como la metrópoli más importante de la América española. Nowadays a significant number of initial doctrine temples are conserved in the region of Cusco, nevertheless many of the new constructions raised after the earthquake of 1650, maintained the outline and initial aspect developed in the 16th century consisting of an elongated nave with presbytery elevated that denotes the presence of independent coffered ceilings in the main chapel, main façade (usually lateral) of Renaissance style, a single bell gable or bell tower (sometimes exempt) and collar-beam roof over the area of believers, sacristies and chapels. The conservation and restoration interventions carried out by the State in the last two decades have followed the principles and recommendations established in the international documents of UNESCO and ICOMOS and have allowed to maintain the authenticity of the design and materials of the buildings. Also common characteristics are the use of Latin-cross layout of a single nave, in some cases with lateral niche chapels, the use of the barrel vault, may either be of stone or quincha, the elaborate altarpiece façade with abundant ornamentation, sober interior decorated with series of canvases of big size with large marquetry that characterize the ritual space, among other aspects, as well as the hierarchy of its urban location that spectacularly dominates the sights from its surroundings, contrasting markedly with the reduced scale and great simplicity building of populated centers and the flat or slightly sinuous landscape, stripped of high plateau vegetation that averages 3,800 (m.a.s.l). of the eighteenth century. The Collao region in the Andean high plateau (current department of Puno), is a remarkable testimony of the development and evolution of the Andean Baroque architecture of the last third of the seventeenth century and in the eighteenth century, influenced by the artistic and architectural tendencies of Cusco and Arequipa, two of the main regional schools of architecture and art of the viceroyalty, and by the great mobility of master builders and craftsmen, acquiring the new religious constructions which particular characteristics also influenced other regions of the current Peruvian-Bolivian high plateau. To this is added that the totality of serial temples registered in Europe correspond to buildings prior to the sixteenth century, whose design, typology, construction technology and even use of materials are different from the Andean temples. Over time, in the eighteenth century, the exchange of values and transfer of knowledge in the construction activity that goes from Spanish to indigenous and mestizo is completed, also receiving the ornamental influence of Arequipa, assuming the latter the roles of design and direction of the works, doing what they know how to do for what they have learned from the Spanish master builders and for the empirical tradition, reducing the peninsular presence almost completely in the creative and execution processes, facilitating in this way the contribution of local forms and aesthetics that give a unique architectural identity typical of the region that has been integrated with the surrounding wild landscape. The rural temples of Cusco represent the integral conjunction of architecture and fine arts developed over time by the Catholic Church with the purpose of serving as a means of education and attraction for the evangelization of the local indigenous population and to ensure their incorporation into administrative and productive Spanish process. 515 of 12/01/1959 (San Pedro Martir de Juli, Santa Cruz de Jerusalem de Juli) Supreme Resolution No. Likewise, the totality of the temples maintains its use and function as places of worship, constituting the most important urban landmarks of each town and symbols of identity of the inhabitants. The temple, which covers an entire block located between two large squares, stands out for its monumentality, being visible from any place distant from the city. Although the architectonic characteristics of the rural doctrine temples are not unique or typical of the region since in general they were common, due to the early date of its construction, to most of the territories administered by the Spanish crown so they do not present outstanding native contributions, if it is exceptional the conjunction between the building and its internal equipment composed of retables, figures in the round, pulpits, canvases, goldsmiths, etc. The factory of stone masonry, presents Latin cross plant with barrel vaults and dome over the transept. Templos barrocos del Collao, Ministerio De Cultura by master_quispe. The important development of Cusco painting between the 16th and 18th centuries was one of the most original cultural phenomena that occurred in the context of the Andean area, spreading strongly to Rio de la Plata, a school of painting that -with regional characteristics- has given incredible signs of vitality since the beginning of the conquest (Gutiérrez, 1978: 111). ayuda porfis le regaló coronita pis 6.leo nuevamente el texto y respondo las preguntas:¿cuál es el tema de la lectura? The baroque temples of Collao maintain in general complete their typological, constructive, formal and original location characteristics that express their architectural, artistic, historical and urbanistic values, as well as religious uses and functions in most cases, being present together all the exceptional attributes that allow its recognition and reading, as well as having sufficient size to adequately guarantee the representation of the Outstanding Universal Value. 12 monumentos barrocos que me vuelven loco. Publicidad Publicidad Nuevas preguntas de Historia. During the second half of the 16th century and the beginning of the 17th century the temples in the rural areas of Cusco raised for doctrine purposes, were characterized by their formal and constructive simplicity, developing a single-nave plant with volume of horizontal tendency that hierarchizes certain key elements; the area of the presbytery is announced with autonomy from the rest of the roof demonstrating the existence of an independent Artesonado. SAN GERONIMO TEMPLE. More Contacts Site Map Become a member Donate Now! Exconvento de San Bernardino. Describir aun en forma somera los doce templos que visitamos, demandaría mucho espacio y nos obligaría a constreñir la narración, por lo que creemos más apropiado hablar de las convergencias y divergencias del conjunto, para que así el lector tenga una idea general de los espacios arquitectónicos que le sea útil cuando decida apreciarlos con sus propios ojos. Thus, at present several temples and chapels of the region have become exceptional repositories of religious art, accumulated through more than 400 years of existence, allowing harmonious coexistence in each building varied architectural elements, as well as furniture and utilitarian, ceremonial and ornamental objects from various historical and stylistic periods. Se irradió también en América Latina por medio de la colonización. On the other hand, the Jesuit Missions of the Chiquitos (Bolivia), the Jesuit Block and Estancias of Córdoba (Argentina) and the Churches of Chiloe (Chile), aside from presenting remarkable architectural and constructive differences among themselves and with the rural temples of Cusco, they do not particularly stand out in the artistic values of the furniture, interior ornamentation and liturgical articles that complement the building (observing that the opposite is true with rural temples of Cusco), being the architectural aspect of the first what almost exclusively sustains the Outstanding Universal Value of each case. On rk`bøe cko Hjoonj ke ko notbponej pkrunej (nhtuno ckpnrtnmketj ck Tuej), hjestbtuyk ue, cko sb`oj QVBB y ke ko sb`oj QVBBB, befoukehbncn pjr ons tkeckehbns nrtístbhns y nrqubtkhtøebhns, prjvkebketks ck Hushj y Nrkqubpn, cjs ck ons prbehbpnoks kshukons rk`bjenoks ck nrqubtkhturn, y nrtk cko vbrrkbentj, y n on `rne mjvbobcnc ck mnkstrjs ck jgrn y nrtksnejs, ncqubrbkecj ons, eukvns kcbfbhnhbjeks rkob`bjsns hnrnhtkrístbhns prjpbns quk n su vkz befoukehbnrje jtrns, mjeumketnobcnc y hnobcnc ck su fîgrbhn, nsí hjmj pjr on rkhbkcumgrk quk ok hjefbkrk ko usj, ko usj ck on gøvkcn ck hnþøe, skn ck pbkcrn j ck qubehan, ons kongjrncns pjrtncns rktngoj, Do not sell or share my personal information. On rk`bøe cko Hjoonj j notbponej necbej ej kstuvj no mnr`ke ck cbhans, su `rne pjgonhbøe k bmpjrtnehbn khjeømbhn (mbekrín, `nenckrín, n`rbhuoturn), nckmîs ck, kehjetrnsk ke on rutn quk hjekhtngn Obmn y Hushj hje Tjtjsí, prbehbpno hketrj mbekrj y `rne, mkrhncj hjmkrhbno cko vbrrkbentj ke ojs sb`ojs QVBB y, Ko Hjoonj j notbponej necbej, ks uen kxtkesn ponebhbk ugbhncn n uen notbtuc mkcbn ck, hnrnhtkrbzncn pjr su `rne noturn (puen), rkobkvk, nrbckz, hobmn. Pronunciación. ¿Te gustan las historias de amor y la vida en pareja? The main façade is sober and contrasts with the profuse ornamental carving of its unique bell tower. Although it can be understood that the category is sufficiently represented worldwide, a lack of balance may be noted in the distribution by regions of the registered properties, which is not necessarily due to the absence of relevant examples or that the existing ones lack of Exceptional Universal Value. Muy cerca de la capital de Tlaxcala, en el centro del estado, existe al menos una docena de templos barrocos dignos de admiración y de estudio. A excepción de uno de los doce templos, el de Tepeyanco, todos los demás tienen la orientación de su crucero hacia el oriente, la dirección de Jerusalén, donde fue crucificado el Redentor. The date of beginning of its construction is unknown, nevertheless it is possible that it replaced progressively a previous temple of the seventeenth century, concluding the beautiful main façade in 1757, work of the indigenous Stonemason Master Simón de Asto, even when the temple was not finished. En la jurisdicción de Tixkokob se pueden visitar las haciendas de Aké, Chi, Kanyunyún, Nohchán y de Santa María. pacific ocean ecuador bolivia peru map chile brasil lima colombia puno regional limits road river contour lines provincial limits 2 3 4 6 8 santiago apostol san carlos Likewise, they are outstanding testimonies of the process of evolution of local architecture and viceregal art, as a product of the transfer of technical and stylistic knowledge from Europe and the subsequent specialization of the native population in the work of masonry, stonecraft, carpentry, wood carving, smelters, etc. 27867, Organic Law of Regional Governments. World Heritage partnerships for conservation. El barroco andino, también conocido como arquitectura mestiza, es un movimiento artístico que apareció en el virreinato del Perú ( Sudamérica) entre los años de 1680 y 1780. From Cusco, this school of mural painting covers the center in the area of Ayacucho or Aymaraes and to the south all Collao, continuing through Bolivia to the Argentinean and Chilean North (Gutiérrez, 1978: 111). Representan la fusión del diseño y construcción de templos bajo influencia de las escuelas regionales cusqueña y arequipeña, utilizando materiales, formas arquitectónicas y motivos ornamentales locales con alto contenido simbólico, comprendiendo un legado de aproximadamente nueve templos edificados gracias a la promoción y dirección de las órdenes religiosas, párrocos seculares y obispos la Iglesia Católica entre los siglos XVII y XVIII, durante el periodo del virreinato del Perú, con el propósito de evangelizar a la población indígena local, tanto quechua como aymara, y apoyar su incorporación al proceso administrativo y productivo español. The presence of numerous architectural and artistic testimonies related to the European stylistic periods that developed in the colonies, illustrate also the permanent transfer of models, building technologies, artisan techniques, aesthetic criteria, concepts and religious symbols of the Spaniards towards the indigenous and mestizos, who in turn made their own contributions to the Andean cosmovision, master builders, builders, artists and local artisans who contributed their knowledge and traditions to create a regional architectural and artistic school of first level in the continent and currently recognized world-wide, that produced and remitted important works (painting, sculpture, retable workshops, silversmithing, etc. China tiene una historia que abarca miles de años, y tal vez no haya mejor testimonio de su pasado largo y variado que sus templos. The execution of these pictorial works was mainly in the hands of indigenous and mestizo artists, whose cultural heritage bequeathed by their ancestors influenced their works in which the native flora and fauna are frequently represented, which were very traditional reasons in the pre-Hispanic period. Nov 7th, 1986. by Herrera Casado. ke on rk`bøe, ko cksnrrjooj ck on `nenckrín y ko hjmkrhbj hje Tjtjsí. Ejemplos de poemas barrocos. Criterion (iv): The baroque temples of the Collao region represent the fusion of the design and construction of temples under the influence of the regional schools of Cusco and Arequipa, using materials, architectural forms and local ornamental motifs with a high symbolic content, comprising a legacy of approximately nine temples built due to . Latitud y longitud, o coordenadas UTM DPTO PROV INC A DISTRITO TEMPLO COORDENADAS UTM (DATUM WGS84) NORTE ESTE Thus, of the total of religious properties registered worldwide (27 properties), only 19% (05 properties) correspond to South America, increasing to 30% (08 properties) the examples at continental level. El púlpito de San Antonio Acuamanala, también de cantera, tiene labrados algunos rostros, racimos de vid y otros elementos de ornato que inmediatamente llaman la atención. Fragmento de "Fábula de Polifemo y Galatea", de Luis de Góngora. The arts and architecture in general will achieve important accomplishments in this period, declining markedly in the second half of the eighteenth century, with some exceptions, until the beginning of the nineteenth century in which the independence takes place. AUTHENTICITYAll the original attributes of form and design, materials, construction techniques, location and landscape environment that characterize the religious architecture developed in the Collao region and illustrate its evolutionary process are present in the set of the nine selected temples from the influences received in the seventeenth century from the regional schools of Cusco and Arequipa, as well as the knowledge of design and construction techniques transmitted by the Spanish Master Builders to the indigenous and mestizos, and the local aesthetic contributions that defined in the eighteenth century a fusion of trends and architectural and artistic knowledge and the transfer of aesthetic criteria to other regions of the Peruvian and Bolivian high plateau. The work of evangelization carried out by the Spanish religious community since 1532 in the ancient viceroyalty of Peru was transcendental for the construction of temples that, despite their initial simplicity, constituted the most important buildings in cities and rural towns; both for their size, as well as for their religious and social function. Criterion (ii): The baroque temples of Collao are remarkable testimonies of the confluence of architectural and artistic currents from Cusco and Arequipa, two of the most important centers of cultural diffusion and production of the ancient viceroyalty of Peru that constituted regional schools derived from the Spanish architectural tradition but with a strong regionalist interpretation, developing particular characteristics in the high plateau region, both formal and decorative by the local contributions of the hands of the indigenous and mestizo builders and craftsmen, who learned and made own the knowledge of design and constructive techniques transferred by the Spanish Master Builders works in the sixteenth and seventeenth centuries, and whose influence on the transmission of architectural models developed in the region and original ornamental concepts spread strongly in the high plateau to the regions of La Paz, Oruro and Potosí in the former Audiencia de Charcas (current Bolivia) enriching itself with the local contributions. On rk`bøe cko Hjoonj ke ko notbponej pkrunej (nhtuno ckpnrtnmketj ck Tuej), hjestbtuyk ue, cko sb`oj QVBB y ke ko sb`oj QVBBB, befoukehbncn pjr ons tkeckehbns nrtístbhns y nrqubtkhtøebhns, prjvkebketks ck Hushj y Nrkqubpn, cjs ck ons prbehbpnoks kshukons rk`bjenoks ck nrqubtkhturn, y nrtk cko vbrrkbentj, y n on `rne mjvbobcnc ck mnkstrjs ck jgrn y nrtksnejs, ncqubrbkecj ons, eukvns kcbfbhnhbjeks rkob`bjsns hnrnhtkrístbhns prjpbns quk n su vkz befoukehbnrje jtrns, mjeumketnobcnc y hnobcnc ck su fîgrbhn, nsí hjmj pjr on rkhbkcumgrk quk ok hjefbkrk ko usj, ko usj ck on gøvkcn ck hnþøe, skn ck pbkcrn j ck qubehan, ons kongjrncns pjrtncns rktngoj, Do not sell or share my personal information. Latitud y longitud, o coordenadas UTM DPTO PROV INC A DISTRITO TEMPLO COORDENADAS UTM (DATUM WGS84) NORTE ESTE This is how two architectural tendencies marked in the region during the Baroque are evidenced: the developed from the transmission of European canons within the limits of the populations of Quechua origin, in the plains of the high plateau lacking in vegetation far from Lake Titicaca and of rigid weather, like San Francisco de Assis de Ayaviri, San Geronimo de Asillo and Santiago Apostol de Lampa, whose influence was determined by the geographical proximity and administrative-religious dependency with the city of Cusco, as well as the decisive intervention of the Bishop of Cusco and great patron Manuel de Mollinedo y Angulo after the earthquake of 1650; and the one developed in the Aymara area near the shores of Lake Titicaca, linked to the Bishopric of Charcas (present-day Bolivia) from the eighteenth century as Nuestra Señora del Rosario de Pomata, San Pedro de Zepita, San Carlos de Puno (Minor Basilica Cathedral), as well as the temples of Juli San Pedro Martir and Santa Cruz de Jerusalen, where the monumentality and sobriety of the architecture of Cusco are combined with the planiform decoration of Arequipa origin applied to the façade and some interior elements to which they are added, without modifying their schemes and in an archaizing and extensive manner, elements of the Andean and tropical flora and fauna, of classical mythology such as mermaids and masks, and pre-Hispanic motifs such as the sun, the moon, the puma, etc., all these elements present in the worldview of the local inhabitants, identifying also the representation of myths and legends. Disfruta de la e-magazine de México Desconocido con acceso gratuito. The present temple was built by progressively replacing the original building from the beginning of the eighteenth century, extending until the expulsion of the Jesuits in 1767; It has a Latin cross plan with a barrel vault roof with transverse arches and a dome over the transept. El estilo barroco se desarrolló en el Siglo XVI en Italia y otros países de Europa. From the mid-sixteenth century the works of colonial painting were of religious scenes elaborated almost exclusively by peninsular masters, mainly coming from Seville (Alonso Vázquez, Alonso López de Herrera), as well as flamenco (Simon Pereyns) and Italians masters (Mateo Pérez de Alesio, Angelino Medoro, Bernardo Bitti), several of which established workshops in Cusco, where indigenous painters learnt the trade. The Tentative Lists of States Parties are published by the World Heritage Centre at its website and/or in working documents in order to ensure transparency, access to information and to facilitate harmonization of Tentative Lists at regional and thematic levels. Templos barrocos del Collao, Ministerio De Cultura, 0% found this document useful, Mark this document as useful, 0% found this document not useful, Mark this document as not useful, Save Templos barrocos del Collao For Later, Tkrü, Wk`bøe Tuej, prjvbehbns ck Mko`nr, Nzîe`nrj, Onmpn, Tuej y, Hauhubtj, cbstrbtjs ck Nynvbrb, Nsbooj, Onmpn, Tuej, Luob, Tjmntn y, kspnþjo quk, hje nr`umketj ck quk on uebcnc pjoítbhn cko Bmpkrbj ckgín gnsnrsk ke on uebcnc, rkob`bjsn, cktkrmbeø quk on hjequbstn ck ojs eukvjs tkrrbtjrbjs sk abhbkrn ej sjoj pjr on kspncn, kstrkhanmketk vbehuoncjs ke on fjrmnhbøe y cksnrrjooj ck ons eukvns hjojebns. Publications World Heritage Review Series Resource Manuals World Heritage wall map More publications ... Funding World Heritage Fund International Assistance. On rk`bøe cko Hjoonj j notbponej necbej ej kstuvj no mnr`ke ck cbhans, su `rne pjgonhbøe k bmpjrtnehbn khjeømbhn (mbekrín, `nenckrín, n`rbhuoturn), nckmîs ck, kehjetrnsk ke on rutn quk hjekhtngn Obmn y Hushj hje Tjtjsí, prbehbpno hketrj mbekrj y `rne, mkrhncj hjmkrhbno cko vbrrkbentj ke ojs sb`ojs QVBB y, Ko Hjoonj j notbponej necbej, ks uen kxtkesn ponebhbk ugbhncn n uen notbtuc mkcbn ck, hnrnhtkrbzncn pjr su `rne noturn (puen), rkobkvk, nrbckz, hobmn. The ornamental stone carving was also developed mainly in the construction of the facades of temples and homes. In the 17th century in the Viceroyalty of Peru, three local schools or centers in sculptural production stood out. Pasó a ser parroquia en 1602. Sofá con 2 asientos barrocos, tapizado en tela de terciopelo. The religious structures themselves are examples of initial early constructions of the doctrines, of simple characteristics and scale, most of which retain almost all of their original design, construction and formal characteristics at the end of the 16th century and the first third of the 17th century, such as Oropesa, Huaro, Andahuaylillas, Huarocondo, Checacupe, Canincunca and Colquepata, while others were partially or totally rebuilt after the earthquake of 1650 following the same trace and form and using the same materials, such as Ocongate, Ccatcca and Marcapata, that with the passage of time received new contributions or modifications in response to seismic movements or due to the influence of the new stylistic tendencies of each era. Sofa with 2 baroque seats, upholstered in velvet fabric. The publication of the Tentative Lists does not imply the expression of any opinion whatsoever of the World Heritage Committee or of the World Heritage Centre or of the Secretariat of UNESCO concerning the legal status of any country, territory, city or area or of its boundaries. In this sense, the assets related to the Jesuit Missions of the Guaranies - (Argentina and Brazil) and the Jesuit Missions of La Santisima Trinidad de Paraná and Jesús de Tavarangue (Paraguay), constitute valuable architectural testimonies of the missionary complexes in the central region of South America, but lack interior equipment due to their condition of archaeological sites. Estos sagrados paraísos son la muestra perfecta de las diversas influencias religiosas de China — budismo, confucianismo, taoísmo y, a veces, una combinación de los tres —, así como de sus distintos estilos arquitectónicos. At present the temple is in the process of restoration after several decades of abandonment and partial ruin, having lost the vaults of quincha and the belfry tower, nevertheless retains most of its high-quality manufacture. The new temple has a Latin cross plan with a barrel vault roof with transverse arches and a vault over a dome in the transept. As a result of the interaction and coexistence in the sixteenth and seventeenth centuries between Spanish Masters Builders with mestizos and Indigenous who were trained in the work of masonry, stonework, carpentry, sculptors of stone and wood carving, smelters, etc. cksck anhk mîs ck ;444 nþjs, sbkecj zjen ck jrb`ke ck eumkrjsns huoturns prkabspîebhns, hjmj Sbnaunenhj quk nohneznrje ue notj `rncj ck jr`nebznhbøe sjhbno, mbobtnr y rkob`bjsn y ke, on trnesfjrmnhbøe cko tkrrbtjrbj ckgbcj prbehbpnomketk no cksnrrjooj ck on n`rbhuoturn y on, fjrmnhbjeks sjhbnoks ke on rk`bøe. The whole church's manufacture is made of sedimentary (sandstone) and igneous stone. Son notorios los cambios experimentados en las distintas etapas constructivas, e incluso hay torres que no terminaron de construirse, como la de Tepeyanco. CONCLUSIONES 2 INTRODUCCIÓN-En términos generales el nuevo mundo fue un campo ideal de experimentos urbanísticos, donde los nuevos edificios de carácter monumental -catedrales, iglesias parroquiales, santuarios, entre otros- eran signos visibles del "sistema colonial"- Los viajeros que pasan por la región y que muestran interés por la arquitectura colonial tlaxcalteca rara vez oyen hablar de otros templos que no sean el Santuario de Ocotlán y el ex Convento de San Francisco, maravillas arquitectónicas sin lugar a dudas, pero no las únicas. The baroque style entered in the high plateau of Collao towards the last third of the seventeenth century for the works promoted by the Bishop of Cusco Manuel de Mollinedo y Angulo in the construction of the temples of Ayaviri, Asillo and Lampa, consolidating in a special way in the eighteenth century in which remarkable works of religious architecture were developed, achieving what no previous style had achieved until that moment: to enter in the idiosyncrasy and feeling of the local population, becoming the trade of making architecture and art in almost exclusive patrimony of masters builders and indigenous and mestizo craftsmen who interpreted with their own abilities the architectural schemes and parties that had received of inheritance. Christian religious architecture constitutes one of the most represented categories on the World Heritage List, due to the high profusion, variety and quality of individual buildings, as well as sets of temples, convents, missions and estates, which are exemplified in various parts of the world the historical importance, great variety of typologies and architectural and artistic styles developed over several centuries in different geopolitical and cultural conditions. It is considered one of the most important architecture of Collao; chronologically it belongs to the first phase of the baroque of Collao. close menu Idioma. The Tentative Lists of States Parties are published by the World Heritage Centre at its website and/or in working documents in order to ensure transparency, access to information and to facilitate harmonization of Tentative Lists at regional and thematic levels. El contraste de estilos en las fachadas es evidente, combinándose elementos barrocos con frontis austeros y platerescos. The conservation and restoration interventions carried out by the State in the last two decades followed the principles and recommendations established in the international documents of UNESCO and ICOMOS and have allowed to maintain the authenticity of the design, materials and constructive systems of the buildings, as well as the original characteristics of the furniture, works of art and mural painting that characterize the interior treatment and sacralization of the temples. SAN PEDRO TEMPLE. En México, y particularmente en la región poblano-tlaxcalteca, la huella del indio quedó plasmada en los templos incluso después de dos siglos de colonización. Los Templos Barrocos del Collao fueron inscritos en la Lista Indicativa del Patrimonio Mundial de la Convención de UNESCO de 1972 como bien cultural bajo los criterios C (ii) y (iv) en el año 2019. La región de Puebla-Tlaxcala tuvo una gran importancia económica, política y religiosa durante los siglos XVII y XVIII. La arquitectura barroca se desarrolló entre finales del siglo XVI y la primera mitad del siglo XVIII aproximadamente. Most of the temples have important documentary records that allow knowing the construction period and general characteristics, as well as the movable property they contain, in addition to the modifications and additions made over time that are part of their evolutionary history, making it possible to recognize the general authenticity of its creation and origin of the architectural components and personal property. Ensuring that World Heritage sites sustain their outstanding universal value is an increasingly challenging mission in today’s complex world, where sites are vulnerable to the effects of uncontrolled urban development, unsustainable tourism practices, neglect, natural calamities, pollution, political instability, and conflict. En San Bernardino Contla se combinan ambos estilos, cubriendo todos los espacios de las bóvedas, los tambores, las pechinas y los muros. Although it can be understood that the category is sufficiently represented worldwide, a lack of balance may be noted in the distribution by regions of the registered properties, which is not necessarily due to the absence of relevant examples or that the existing ones lack Exceptional Universal Value. La primera iglesia dentro de la ruta del barroco es el Templo de la Compañía de Jesús, ubicada en la Plaza de Armas de la ciudad del Cusco. cksck anhk mîs ck ;444 nþjs, sbkecj zjen ck jrb`ke ck eumkrjsns huoturns prkabspîebhns, hjmj Sbnaunenhj quk nohneznrje ue notj `rncj ck jr`nebznhbøe sjhbno, mbobtnr y rkob`bjsn y ke, on trnesfjrmnhbøe cko tkrrbtjrbj ckgbcj prbehbpnomketk no cksnrrjooj ck on n`rbhuoturn y on, fjrmnhbjeks sjhbnoks ke on rk`bøe. Conoce México, sus tradiciones y costumbres, pueblos mágicos, zonas arqueológicas, playas y hasta la comida mexicana. En algunos convergen con éxito el barroco y el neoclásico, incluso otorgando este último un respiro visual a los recintos. It is one of the best temples of Collao for its architecture and especially for the profuse ornamentation mestizo of its two covers and the interior of great spatial quality, highlighting the fine carvings of stonework in the dome, pendentives, windows, pillars, covers of the sacristy and counter-sacristy, etc., which denote the highest level of composition of its type in the region. Sinónimos. Ons nrtks y on nrqubtkhturn ke `kekrno nohneznrîe bmpjrtnetks rknobznhbjeks ke, kstk pkríjcj, ckhnykecj ejtngokmketk ke on sk`uecn mbtnc cko sb`oj QVBBB, snovj no`uens, On nrqubtkhturn fuk uej ck ojs hnmpjs ke quk on b`oksbn ckstnhø pjr ko eümkrj, mn`ebtuc y, kongjrnhbøe ck ons jgrns, hjevbrtbâecjsk ojs, nrtístbhn y nrqubtkhtøebhn y ck ckmjstrnhbøe pnopngok ck su bmpjeketk prkskehbn hjmj, bestbtuhbøe kspbrbtuno y rkprksketnetk cko cjmbebj kspnþjo. The temple of San Francisco de Asís de Ayaviri is one of the most representative baroque works of the seventeenth century located in the current department of Puno. Estos ejemplos aún no se han verificado. Los Retablos dorados de Nueva España o retablos novohispanos son los altares de los templos católicos ubicados en México, Guatemala, y Honduras, y que fueron realizados durante el periodo colonial entre los siglos XVI y XVIII. It was built between 1677 and 1696 due to the encouragement of the Bishop of Cusco, Manuel de Mollinedo y Angulo, for being in ruins the pre-existing temple of the sixteenth century. A fire in 1933 destroyed the altarpiece of the High Altar being designed a new one by the Arch. Take advantage of the search to browse through the World Heritage Centre information. Declaration of principles to promote international solidarity and cooperation to preserve World Heritage, Heritage Solutions for Sustainable Futures, Recommendation on the Historic Urban Landscape, Central Africa World Heritage Forest Initiative (CAWHFI), Reducing Disasters Risks at World Heritage Properties, World Heritage and Sustainable Development, World Heritage Programme for Small Island Developing States (SIDS), Initiative on Heritage of Religious Interest, Protection of human rights (Procedure 104). During the first years of the viceroyalty, due to the high presence of dispersed indigenous population, it was considered very necessary to establish indigenous reductions to enable the work of evangelization and conversion of the indigenous population and facilitate the collection of taxes, censuses among others aspects, in which large temples of a single nave with Renaissance façade and ornamentation and Mudejar coffered ceilings were built prevailing for the area in the second half of the sixteenth century and the first third of the seventeenth century, several of which are still conserved while many others were gradually replaced and equipped in the seventeenth and eighteenth centuries by new buildings and works of art in the current baroque style, due to the rise of mining in the region, the development of livestock and trade with Potosí. Asillo. SANTA CRUZ DE JERUSALEN TEMPLE. Ensuring that World Heritage sites sustain their outstanding universal value is an increasingly challenging mission in today’s complex world, where sites are vulnerable to the effects of uncontrolled urban development, unsustainable tourism practices, neglect, natural calamities, pollution, political instability, and conflict. The new temple of "lime and stone" presents Latin cross plant and one of the best and most elaborate altarpieces of the region with abundant ornamentation that includes motifs of the Andean flora and fauna. 352/INC del 03/10/2006 (San Juan Bautista de Ccatcca), Vice-Ministerial Resolution No. 2900 of 12/28/1972 (San Carlos de Puno, Nuestra Señora del Rosario de Pomata, San Pedro de Zepita), and legally protected by the State through Law No. SAN FRANCISCO DE ASIS TEMPLE. Zepita. 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The architecture was one of the fields in which the church was notable by the number, magnitude and elaboration of the works, becoming the temples in the examples of greater artistic and architectonic magnitude and of tangible demonstration of its imposing presence as a spiritual institution and representative of the Spanish domain. 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